Helena Soholm holds up the 5 directional flags of Korean shamanism in Dronningmølle, Denmark.
Arin Yoon
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Arin Yoon
It’s the day earlier than the ceremony and forty folks from completely different components of the world will converge in Copenhagen to expertise a shamanic ceremony facilitated by 46-year-old Helena Soholm, a Korean American shaman, known as mudang in Korean.
In desirous to know extra about shamanism, I got here throughout Helena’s work. Now we’re collectively in North Zealand, Denmark, together with conventional Korean musician Dong-Gained Kim, 58, who will accompany Helena through the ceremony.
After we arrive on the seashore, it’s nonetheless just a little overcast and the earth is frozen underneath a thick, white carpet of snow. Dong-Gained seems to be out and proclaims, “The ocean welcomes us.” I say to Helena, “Sorry, I needed to do extra analysis about shamanism earlier than the journey, however I simply did not have time.” She responds, “Arin, that is a colonial method of shamanism. You study it by experiencing it.” Helena and Dong-Gained bow to the 5 instructions throughout a pre-ceremony ritual. Middle is the fifth route.
Left: An providing of Korean soju, apples and mineral water throughout a pre-ceremony ritual in Dronningmølle, Denmark. Proper: Helena holds a fan and bells, shamanic instruments, to name the spirits through the pre-ceremony ritual.
Arin Yoon
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Dong-Gained Kim is a grasp percussionist and a member of Yo-Yo Ma’s Silkroad Ensemble.
When Korea was an agrarian society, villagers would march to neighboring villages, enjoying their distinctive music to assist one another work through the harvest season. In response to Dong-Gained, “Working in rice fields is back-breaking work, and so singing and drumming have been concerned. Because the labor received harder, the drumming would get quicker and extra thrilling. And that was the primary second I realized the idea of empathy in music.” He begins enjoying a 200-year-old gong and all of a sudden the sky opens up.
Trendy healer
Helena is a transpersonal psychologist along with being a shaman. In her work, she integrates Western theories of psychology with Indigenous techniques of data to facilitate therapeutic and development in trendy, technologically superior societies.
Helena poses for a portrait in Copenhagen, Denmark.
Arin Yoon
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Left: Knives, shamanic instruments, are used to chop adverse power. Proper: A hand drum adorned with photographs of a bear and her cub, was painted by Stone, an artist from the Squamish Nation.
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Shortly after her initiation as a shaman in 2018, she says she acquired a imaginative and prescient the place she noticed the ancestors of Korean adoptees who had been adopted into Western nations, longing to attach with their descendents. She says she believes “clearing and honoring ancestral power is achieved by means of the restoration of the Indigenous thoughts, which might deepen an individual’s connection to self, others and land,” and so she facilitates ceremonies and pilgrimages for adoptees and others wanting to attach with their ancestral roots.
Helena is married to a Dane and has developed many connections in Denmark. She says her village is now world, “so wherever we go, my philosophy is we will create sacred area.”
Individuals
Among the many adoptees to take part on this ceremony in Copenhagen is Jannie Jung Westermann, 45, who introduced the providing for the intestine ceremony on behalf of Korea Klubben, an affiliation of Danish Korean adoptees. She was one of many first folks concerned in gathering info for the investigation into the corrupt practices behind the worldwide adoptions of Korean kids, which amounted to a billion-dollar trade between the Sixties and Eighties.
In 2001, Jannie labored with a Korean social employee to do a household search. She realized that adoptees are sometimes not given their full information. Jannie was in a position to find her start mother and father though her preliminary data indicated that she had been deserted. Years after assembly her organic father, she labored with a personal detective and located her organic mom.
Jannie Jung Westermann, the president of Korea Klubben, an affiliation of Danish Korean adoptees, poses for a portrait.
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On a visit to South Korea, Danish Korean adoptee Mai Quickly Younger Øvlisen, 41, heard Korean conventional music for the primary time. “I heard that voice of ache and of the folks’s historical past and previous, as a rustic, and it was, like, ‘That is my voice. My voice is Korean.’ ” Now, she incorporates conventional Korean folks music and shamanism into her musical observe along with her band, Meejah, which implies “medium.” On discovering her start mother and father, Mai says, “I simply make room for it and open area for it to return collectively, if it needs to.”
Mai Quickly Younger Øvlisen, 41, a Danish Korean adoptee, poses for a portrait.
Arin Yoon
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Unethical and unlawful adoption practices have been a systemic downside in lots of different nations, together with Greenland, which was colonized by Denmark. Kâlánguak Absalonsen, 53, was taken from her organic household after her father dedicated suicide when she was 3 years outdated. Her mom signed adoption papers with out realizing that she was giving up her baby as a result of, in her Inuit tradition, there is no such thing as a phrase or idea for adoption, pondering, “when the snow disappears, they may come again.” However her kids didn’t come again. She despatched Kâlánguak letters, however her adoptive mom hid them from her. Once I ask Kâlánguak what she remembers of Greenland, she speaks concerning the sound of snow: “When it is actually chilly, it has a particular sound.”
Kâlánguak Absalonsen, 53, poses for a portrait.
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Tom Pyun, 46, a Korean American author and shopper of Helena’s, flew from Los Angeles for the ceremony. His father died when he was 13, and his mom handed away all of a sudden in 2021 from COVID-19. He had been in search of various strategies of therapeutic when he got here throughout Helena’s work: “There was no likelihood to essentially say goodbye or get any closure, and I believed that perhaps a shaman may assist me discover closure — what might have been stated or ought to have been stated.”
Tom Pyun, 46, a Korean American author, poses for a portrait holding pictures of his mother and father.
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Anne-Marie Hansen, 44, is a Danish professor of design whose household lineage in Denmark might be traced again to the 1400s. She is interested by rituals and discovering extra about her connection to Nordic pagan tradition. She stated she hoped the ceremony would assist her recuperate conventional data, revive cultural reminiscence and join with nature.
Anne-Marie Hansen, 44, a Danish professor, poses for a portrait.
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Ceremony
On the day of the ceremony, many individuals put on one thing from their native cultures to assist join them with their ancestors. As they trickle in, many add particular objects and mementos to an ancestral altar. Materials in purple, blue, white, yellow and inexperienced, representing the 5 instructions are laid out. Everybody selects a couple of items of torn material and, in a sluggish procession, transfer to the rhythmic drumming of Dong-Gained and Hendrikje Lange, a Western shaman initiated within the Korean custom, towards a tree on the entrance of BaneGaarden, the location of the ceremony. In response to Helena, “Since there are lots of people there who’re from completely different cultures, we’d like some form of exercise to tug us collectively so that everyone’s already setting themselves up, at their unconscious degree, to set off one thing deep in our minds.”
Anne Merete Gaup, a Sámi lady from Norway, prepares for the ceremony.
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Within the Indigenous circle, Aká Hansen sings a standard Inuit music.
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Helena creates a circle with white material and invitations completely different teams of individuals in, beginning with adoptees. They begin leaping to enter a trance-like state. There are maternal cries of longing, deep ache and remorse. Within the Indigenous circle, the power and air shift. When the phrases, “Aya, aya,” come by means of Helena, Aká Hansen, an Inuit filmmaker from Greenland, bursts into music. With the European group, Helena has a tough time getting by means of, so she asks the opposite individuals to ship their power to this group. Many shut their eyes and place their fingers. “There’s a whole lot of blockage right here. Quite a lot of masculine power,” Helena says. Lastly, a small group of diaspora members enter the white circle and there’s speak about damaged goals. On the finish, everybody jumps collectively and Helena blesses every individual. The ceremony is adopted by a dialogue the place we study that the music Aká sang was the primary time she had ever sung it. It’s a music of Aká’s ancestors.
Kâlánguak is getting in contact along with her Inuit roots by means of bead artistry. In her fingers, she holds a pair of earrings that symbolize her two fathers — her adoptive father and her organic father.
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Helena spends time with every participant. As she holds Kâlánguak Absalonsen, the Inuit ancestors say, by means of Helena, “Fly excessive, don’t allow them to drag you down.”
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The day after the ceremony, I ask individuals how they’re processing their experiences. Kâlánguak speaks of maternal power within the adoptee circle: “It was large to listen to the moms calling after us, ‘It is okay. I am right here. I like you. I like you. I like you.’ And, for me, it was a launch. I’ve heard all my life that my mom could not handle me. However that was not the case. Helena opened my coronary heart to obtain my mom with love.”
“I’ll take into consideration the ceremony for a very long time,” says Mai Quickly Younger. “It gave me a way of not being alone.”
An ancestral altar is roofed with objects introduced by the ceremony’s individuals.
Arin Yoon
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Helena Soholm closes the ceremony with a blessing.
Arin Yoon
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This reporting was supported by the Worldwide Girls’s Media Basis’s Lauren Brown Fellowship.
Arin Yoon is a Korean American photographer primarily based in Kansas Metropolis. See extra of her work on her web site arinyoon.com and her Instagram @arinyoon.
Picture edit by Grace Widyatmadja. Textual content edit by Zachary Thompson.
